Magna Pars l'Hotel à Parfum, Small Luxury Hotels of the World - Art - Magna Pars l'Hotel à Parfum, Small Luxury Hotels of the World

The reflective and mirrored surface of the work allows the surrounding space to be reinterpreted, distorted and emphasized. The relationship between an exhibition and a work tends to merge with its surroundings, becoming almost an augmented reality tool in the eyes of the viewer. Everyone will have their own personal perception by moving and moving around the sculpture that will offer from time to time a different vision of the space that surrounds it.

Stainless steel is the guiding thread of the artistic practice of the Albanian sculptor who experiments and Master the material with always innovative techniques.

Walking in the spaces of the Magna Pars you can meet the sculptures of Matteo Pugliese. They are men seeking a possible rebirth and the wall represents the block to change. The sculptures of Matteo Pugliese tell the passion and energy to get back into play completely necessary for rebirth.

Figures coming out of the wall collectively called Extra Moenia, the Latin locution that indicated the buildings outside the walls.” They represent man at the height of physical and, supposedly, intellectual perfection. The works are linked to the concept of balance and imbalance, the passage from one dimension, that inside the wall that evokes mystery, outside, beyond the walls in a game of balances and interaction between the two worlds.

Men who attempt a painful rebirth through the wall that imprisons them, forcing them to live, grow and express themselves. The faces are autobiographical, the artist works alone and becomes the only model, different expressions of the ego.

“Angelo in Custodia” by Daniele Accossato is a work that shakes and involves. An angel immobilized by ropes and wrapped in packaging material becomes a symbol of a reinterpreted cultural heritage. The work of Accossato, unholy and profound, invites us to reflect on the traditions that form us, but which sometimes imprison us.

“Sfera” by Helidon Xhixha is a work that dialogues with the environment through perfect geometries and changing reflections. The polished surface of the sculpture captures and transforms light, revealing unexpected perspectives and details that escape the everyday eye. It is a game of perceptions, an invitation to observe the real with a new look, able to grasp the relationship between space, form and movement.

His research starts from the technique, from the alchemy of sculpture, from icons that identify our cultural and artistic heritage, to explore the inner dynamics of the human being and the universal aesthetic sense.

The mutilated horse is part of the travelling exhibition Lapidarium, inaugurated in Rome in 2016 and concluded in Mexico City in 2018, which crosses continents to talk about tolerance and human rights. Each installation, during the world tour of the exhibitions, enriches the collection until it is completed at the last event with the presentation of 100 monumental sculptures. Mutilated horses that express, in their gravity, the always current and burning theme of the migratory emergency. A monument to the “vanquished” of today and of the past: the peoples of Africa, Jews, Armenians, Kurds and all human beings who flee from wars and persecutions. Unique sculptures, which do not provide multiple, each sculpture evokes a fragment of the history of Man, creating and offering us all a space for reflection in silence.

Work on canvas made with boxer gloves soaked in paint . Hassan fights with the canvas until the work is finished, creating an explosive color energy field where the physical world collides with the two dimensions of the painting. The brush is replaced by the boxing gloves “I don’t beat to destroy but I create”. Famous are his performances where he paints in struggle with the canvas through a very physical demonstration of strength, anger and cathartic energy.